eunice bélidor is an independent curator and researcher, art critic, and writer.
Her practice currently uses questioning as a methodology for curating, writing as creating curatorial auto theory, and at the intersection of letter writing with care, feminism, and racial issues. She holds an MA in Art History with a Graduate Diploma in Curatorial Studies from York University, where she looked at the curating of contemporary Haitian art in international cultural exhibitions after the 2010 earthquake. eunice bélidor won the prestigious Emerging Curator award from the Hnatyshyn Foundation in 2018.
working.
curating.
She has organized numerous exhibitions, nationally and internationally, among which at articule, the HTMlles festival, at Galerie de l’UQAM, at the Museum of Contemporary Art in Montreal, at the Montreal Museum of Fine Arts, at Spike Berlin, as well as innovative online curating at the FOFA Gallery
writing
Her writing has been published (en français et in English) in The Brooklyn Rail, esse, Espace, Canadian Art, Hyperallergic, Inuit Art Quarterly, and the Journal of Curatorial Studies
researching.
She has held positions as a museum Curator of Contemporary art, university gallery Director and Administrator, Programming Coordinator, and Curatorial assistant in Montreal, and Toronto Canada.
Her research on contemporary art and curating centers around letter writing, affective theory, contemporary Haitian art, fashion, and design among other topics. She has participated in many academic conferences (en français et in English) such as UAAC, the Society of Architecture Historians, and Montréal Monochrome (articule). She has presented her curatorial research at Concordia University, McGill, and Yale.